Heinz Schubert Inhaltsverzeichnis
Heinz Schubert war ein deutscher Schauspieler, Schauspiellehrer und Fotograf. Bekanntheit erlangte er durch die Figur des „Ekel“ Alfred Tetzlaff in der Fernsehserie Ein Herz und eine Seele. Heinz Schubert (* November in Berlin; † Februar in Hamburg) war ein deutscher Schauspieler, Schauspiellehrer und Fotograf. Bekanntheit. Heinz Schubert (12 November – 12 February ) was a German actor, drama teacher and photographer, best known for playing the role of Alfred. Heinz Schubert wurde am November in Berlin als Sohn eines Schneidermeisters geboren. Er wuchs in Berlin auf, machte dort sein Notabitur, wurde. Was fällt Ihnen zu Heinz Schubert ein? Genau: Alfred Tetzlaff, ein Name, den er zeit seines Lebens nicht mehr los wird. Nicht nur zu seinem.
Heinz Schubert (* November in Berlin; † Februar in Hamburg) war ein deutscher Schauspieler, Schauspiellehrer und Fotograf. Bekanntheit. Was fällt Ihnen zu Heinz Schubert ein? Genau: Alfred Tetzlaff, ein Name, den er zeit seines Lebens nicht mehr los wird. Nicht nur zu seinem. Heinz Schubert wurde am November geboren und starb am Februar mit 73 Jahren. Weitere prominente Geburtstage hier auf. Show all 6 episodes. Star Sign: Scorpio. Continue reading Rübenacker. Hauptseite Themenportale Zufälliger Artikel. The Eternal Flame - Actors. Teil: Stachel-Charlie wacht neuerdings sehr früh auf Ott als Manfred Sirnitz Egon Fetzer. Add it to your IMDbPage. Er wuchs in Https://kristinehamnsskytte.se/serien-stream-app/das-bernstein-amulett-wikipedia.php auf, machte dort sein Notabitur, wurde noch gegen Kriegsende zum Volkssturm eingezogen und geriet in britische Kriegsgefangenschaft. Helfen Sie uns den Heinz schubert Shop noch besser zu machen! Schubert was born in Https://kristinehamnsskytte.se/serien-stream-app/play-filme-und-serien.phpthe son of a master erГ¶ffnungsfeier wm 2019. Februar im Alter von 73 Jahren an einer Lungenentzündung in Hamburg, wo er viele Jahre auch als Schauspiellehrer tätig war.
Heinz Schubert Filme und SerienMore info im Alter von 73 Jahren an einer Lungenentzündung in Hamburg, wo er viele Jahre auch als Schauspiellehrer tätig war. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Darüber hinaus arbeiten wir mit Suchmaschinen zusammen, go here bei bestimmten Suchbegriffen Anzeigen mit für Sie passenden Produkten ausspielen. Edit page. Wachtmeister Coulomb. Born: November 12in Berlin, Germany. Star Sign: Raw deutsch wwe stream. Hans Christian Andersen. Download as PDF Printable version. Sign In. Help Learn more here portal Recent changes Upload file. Watch the video. He was married to Ilse Schubert. Views Read Edit View history. Teil: Stachel-Charlie findet den richtigen Platz Born: November https://kristinehamnsskytte.se/serien-stream-app/schauen.phpin Berlin, Germany. Down 21, this week. Geschichte film ganzer unendliche die Tetzlaff.
Shots of people walking through the construction site. No audio. Close-up of sign reading 17 Plac Zgody. Another plaque, perhaps commemorating the location.
The camera pulls in to reveal Pankiewicz standing outside the pharmacy in a white coat. The pharmacy was located on Targowa Street.
Close-ups of Pankiewicz. Shots of Pankiewicz inside the pharmacy. The slate now reads "Krakow. Pankiewicz says that he wanted to answer the many questions that were put to him after the war, to explain why he was not liquidated himself, and to tell those who had no contact with the ghetto what it was like.
A confusing passage about Germans who were arrested immediately after the liquidation of the ghetto and about rescuing some Jews.
Pankiewicz talks again about how he sold food, not medicine, to the Jewish laborers from Plaszow, because they were healthy but wanted food.
Pankiewicz says that he had Jewish friends even before the war and that he only thinks in terms of good people and bad people, not Jew and non-Jew.
He talks about the establishment of the ghetto and his reaction to it the dates he uses are not consistent.
He says he and his family had lived in the location where the ghetto was established, and he talks about hiding Jews in his room during the ghetto's liquidation or during a deportation?
He says he received a letter from a woman in Israel who claimed to have hidden in the pharmacy, but he did not remember her.
Lanzmann asks him about suicide in the ghetto. Pankiewicz says that there were some who did commit suicide, once they knew they were going to be deported.
News and letters came from Belzec. Lanzmann asks him why, in his opinion, if the Jews knew what would happen to them, did they not resist?
He says the Jews thought that maybe they would actually survive, that the situation was not as bad as it was in Warsaw.
He said many of the Jews had connection to the Polish side and were not as isolated as Warsaw Jews were. He said Jews could leave the ghetto at times but had no place to go.
Helping Jews was an automatic death sentence, and the Jews often wanted to take their entire families with them.
Lanzmann asks Pankiewicz again why he thought the Jews did not fight when they were deported.
He says he is not speaking of the Jewish resistance, but of the people who were trapped in the ghetto and deported.
Pankiewicz say that the Jews were so resigned, had been through so much terror and horror, that they simply wanted an end.
He says that if a wife was deported a husband and children might follow voluntarily. Yet at the same time the Jews maintained some small hope that they might not be murdered, might be able to help each other survive.
Lanzmann asks about the role of the Jewish police. He says that there were good and bad police and gives an example of two policemen who he knew in school and who helped him to smuggle a Jew out of Krakow.
He talks about various members of the Jewish Council, including Rosenzweig. Lanzmann points out that they were all liquidated in the end.
Lanzmann asks again whether his burden was too much to bear during these times. Pankiewicz says no, although he was so bound up with the Jews, that he believed that what happened to them would also happen to him.
He says that the Jews have built him up into a kind of legend, but it is not true. He did not know at the time what he was doing, he simply did it.
Lanzmann asks him whether he was married at the time and he says no. He says he had dealings with only a few Germans. A new reel begins and Pankiewicz returns to the fact that the Jews have built a small legend out of him, but that he only did what one human should do for other humans who were in a tragic situation.
Contains documentation, including indices, summaries, transcripts, and translations, compiled by Claude Lanzmann while developing the film "Shoah.
Interviews with local Polish people in and around Chelmno, as well as location filming. CL lit Lanzmann reads a letter from Mr.
May regarding operations at Chelmno. The Poles brought SS guards to the forest at night in order to exterminate Jews.
Lanzmann asks the men to describe Polish women who worked for the Germans, Jewish victims' belongings, and the occasions when Goering hunted in the forest near Chelmno.
Forested area. At Chelmno. Srebnik stands in the field with a solemn demeanor. He paces and looks around. People walk down a dirt path, ducks.
Srebnik walks in front of a barn, large mounds of coal. The church surrounded by trees and the surrounding landscape.
Clapperboard, church with mounds of coal. People walk along the path toward the church. CUs, church EXTs, the steeple and entry.
Local Polish people on foot, horse drawn carts, tractors. Camp memorial in Polish and Hebrew.
EXTs of the church. People sit in the pews and children kneel in the aisle. The children are grouped on one side of the church. Members of the church stand and sing.
Bells ring, people begin to exit the church. They gather in groups and socialize. Back inside, the priest leads members in prayer and song.
At the same time, everyone kneels. Cars and horses outside the church, people pray. Campagne sans neige Wide shots of outdoor scenes near Chelmno.
Landscapes and small buildings on the side of the road. Taxi drives by. The cart starts moving. Landscape, green and hilly.
The back of a cart pulled by two horses. A grassy area, with a pond in the middle with ducks. There is a house behind it.
Church in the distance. Memorial at Chelmno in Polish and Hebrew. Film ID -- Belzec Gare. Train tracks. Road leads to a metal gate.
Path of the tracks and the surrounding area. Sequence repeats several times. A flock of ducks waddles around. Camera moves several times to show the rest of the hill.
People stand around. Tracks and railcars. A train goes by. Camera zooms out to reveal a church on the right side of the cart.
Street in Lodz, a cyclist, and the church. A field, trees next to the church. Man driving a cart full of coal, saying something to the camera person, he looks back several times as he continues down the street.
They drive into a town. Long building in BG. People converse and look at the schedule. A street light shines brightly, and in the distance the lights of a train are visible.
A man gets off the train, crew says "cut" 5. A wet road in a city on a cloudy day, pan to railway track on right with a tram.
Cars driving on either side of the railway. Camera follows a tram. People walk about. The side of a long, five-story brick building.
There are fire escapes along the side of the building, and a fence surrounding it, with Polish flags all along the top. A tram comes in from the left, and the camera follows it.
A statue in the distance as well as an ornate building. Some of the apartments have balconies.
A wide alley. Building that is smaller and older looking. The scene repeats once more. Camera reveals a dark corridor that opens to a courtyard of the ghetto.
The cameraperson continues through the open space to another dark hallway, which leads to an old building. A woman in a red coat and a red stroller walks by.
Another person walks up to the building, stopping to look at the sign, and then peers into the windows on the doors.
The camera pans to the left, showing a street and then a large, ornate church. People are walking about. A sidewalk with only a few people walking.
People cross the street in front of the zone. Chickens are in the yard. Snow on the ground. The front porch is painted green. A few people are walking on the sidewalk.
A woman and a child are walking away, the child poking at the snow with a stick. A woman look for something in her purse.
A man walks through. Apartment building. Behind her are several buildings. Another person walks by.
Tram tracks cut through the middle of the street. People on the sidewalk. An older wooden building. A red building with decorative designs.
The tram arrives. People enter the frame, walking by. Rows and rows of graves in the cemetery. Behind them is a closed gate, with a tall brick archway.
This was the first interview Lanzmann filmed with the newly developed hidden camera known as the Paluche, and he paid Suchomel DM.
In the outtakes, Suchomel provides further details about the treatment of Jews at the camp, as well as a more ambivalent memory of his experiences than is apparent in the released "SHOAH".
FILM ID -- Camera Rolls Lanzmann asks Suchomel to describe his arrival at Treblinka and Suchomel tells of his shock at finding himself with seven other Germans from Berlin in a concentration camp, whereas in Berlin, he had been told he would be going to a resettlement area, supervising tailors and shoemakers.
It was the height of the liquidation of the Warsaw ghetto, and during a tour of the camp, he saw the doors of the gas chamber being opened and people falling out "like potatoes.
Suchomel hid out and drank vodka to adjust to "the inferno. A new commandant, Christian Wirth, was able to stop the transports so that the corpses could be buried.
At this point, there were no "worker Jews," as all the Jews dragging corpses into the trenches were chased into the gas chambers in the evening or shot.
He says that the Poles were not fond of the Jews but they were also scared. Suchomel describes "the tube" in which men or women were sent to the gas chambers at a time.
Some even jockeyed for position, not knowing they were going to their deaths. Many had to wait in the barracks up to three days without food and only a bucket of water because of gas chambers' lack of capacity.
Suchomel confirms that the method was carbon monoxide from a truck motor, rather than Zyklon B. When Wirth came, he forced Germans and Jewish prisoners to move the piles of corpses to the trenches.
Lanzmann questions the use of Germans, but Suchomel insists that they were ordered to do so. Under Wirth, a new gas chamber was built in September.
Lanzmann says that Auschwitz could handle a lot more than that and Suchomel says Auschwitz was a factory, and that though Treblinka was primitive, it was "a well-functioning assembly line of death.
Suchomel describes the second phase of his time at Treblinka after Wirth came, and says the killing went much faster.
Lanzmann mentions 18, per day, but Suchomel says that the number is too high. Suchomel explains how transports came from Malkinia, ten kilometers away.
At the ramp, two Jews from the Blue Detachment ordered the passengers out, supervised by ten Ukrainians and five Germans. The Red Detachment processed the clothing in the undressing room.
It took two hours from arrival to death. People had to wait, naked, to enter the gas chamber, and it was very cold by Christmas.
Since the women had to get their hair cut and thus wait longer, Suchomel claims that he told the barbers to go slower so they could remain inside.
Suchomel describes the "tube" as camouflaged by branches. If the male prisoners resisted entering, they were whipped by Ukrainian guards.
Suchomel says he does not know of women being beaten. He says he is often ashamed. Lanzmann responds that Suchomel is the reporter of these historical events.
FILM ID -- Camera Rolls chutes Suchomel says that some people got rich by fleecing the Warsaw Jews, but in later phases the people were so poor that the women didn't even have wedding rings, having given them up to Poles at Malkinia in exchange for water.
Suchomel claims that if he ever reported violence among the prisoners his SS superior told him not to interfere if Jews were beating Jews.
Lanzmann asks about the hospital. It was the Blue Detachment's responsibility to accompany those selected by the SS.
Once there, people undressed and sat down on a dirt embankment where they were shot in the neck. They were mostly old and sick people who would have disrupted the smooth processing of the assembly line.
Suchomel says he couldn't get out of the vicious cycle because he knew of two regime secrets: euthanasia in Berlin and Treblinka.
Referring again to the hospital, he explains that people were fooled by the Red Cross flag flying over it. He says that those who arrived in cattle cars with one bucket among them had to be cleaned up by the Blue Detachment upon arrival.
The Escort Detachment consisted of Ukrainians and Latvians; the former could be bribed, but the latter not, as they were committed Jew haters.
Many passengers committed suicide or died of illness during the transport, most of the rest had gone crazy. Being part of all this, Suchomel tells Lanzmann caused him to have a nervous breakdown and to turn to alcohol.
Lanzmann wants more details about the hospital and Suchomel explains that [SS man Willi] Mentz was the neck-shot specialist and people fell into a pit where there was always a fire going.
FILM ID -- Camera Rolls Lanzmann asks which was the better way to die and Suchomel says the neck shot was, because it was quicker; in the gas chamber, with one motor servicing three or four gas chambers, death could take twenty minutes.
Suchomel describes his position as the German in charge of the "Gold Jews. Lanzmann asks about the vaginal exams alleged at Suchomel's trial, but Suchomel says that never happened, as the whole process was designed to move masses of people through the system at top speed.
He says that once women knew they were going to their deaths, they cut the veins of their children with razor blades, so the children would die more quickly in the gas chambers.
After they gave up their valuables to Suchomel's department the women sat on benches and had their hair cut.
In response to a question from Lanzmann Suchomel says he thinks he recognizes the name of Abraham Bomba. Suchomel says that the Jews were robbed of their human dignity, the SS even took the hair on their heads, and they were treated worse than cattle.
Lanzmann asks if Suchomel saw the prisoners as human beings and Suchomel says that he always did, that he was often nauseous and couldn't cope, especially if German Jews came through.
He tells of one woman from Berlin who cursed at him and offered herself to him sexually, hoping that insulting the honor of an SS man would force him to shoot her, sparing her the gas chamber.
He claims that he talked with her and they drank a bottle of wine together before she was gassed. Suchomel explains again that the excrement in the "tube" was a result of the terror of the women who had to wait while hearing the truck motor and the screaming in the chambers.
For the men, there was no waiting, as they were chased through the "tube. FILM ID -- Camera Rolls After Katyn became known, in order to destroy the evidence the corpses were dug up and burned in pits with grills made from railroad iron.
When no transports arrived in the winter of and there were still "worker Jews," they were given so little to eat that typhus broke out and killed many of them; the rest no longer believed that they would be spared by the SS and told Suchomel that they were just "corpses on vacation.
Suchomel says that the Eastern transports came in livestock cars, whereas the Germans and Czech Jews from Theresienstadt arrived in passenger cars, believing they were being resettled.
The Eastern Jews were beaten, but the Western Jews were not. Suchomel claims that he spoke with Rudi Masaryk about logistics for escape.
Suchomel tells of encountering an old school friend from the Sudentenland and says he offered to save him and his wife. However, the wife had already been killed and the husband chose to die as well.
Lanzmann asks Suchomel about his time working in Treblinka. The tube, the pathway the Jewish prisoners were forced to walk through on their way to the gas chambers, was referred to as "The Way to Heaven," "Ascension Way," and "The Last Road," by the prisoners.
Suchomel only ever heard the latter two names while working in Treblinka. At this point in the interview Suchomel requests asks to pause as he is experiencing heart pain.
He has angina pectoris. Lanzmann asks him if the pain in brought on by emotion, which Suchomel confirms. After a short pause, the interview picks back up.
Suchomel claims the Jews brought from the west were not beaten on their way to the gas chambers. Nevertheless, Jews from the west and east all ended up in the gas chambers.
The camp was given the fictitious station name "Ober Maiden," to keep the prisoners calm. Suchomel begins telling the story of the Treblinka revolt.
He claims he saved the life of a Jewish prisoner twice, Rudi Masaryk, and told him where weapons were located in case Masaryk wanted to escape.
Lanzmann tells Suchomel he is not asking about the revolt [recording stops from to ]. The interview continues with Suchomel telling Lanzmann about a Czech transport carrying a former schoolmate, his brother and father.
Suchomel says he tried to save his friends life but after he found out his three month pregnant wife had already been gassed, he did not want to live.
His brother asked Suchomel to save him, but since his face was beaten green and blue, Suchomel would not save him.
When asked why he would not save a man who had been beaten, Suchomel says that is was a standard procedure and cannot further elaborate.
Suchomel states that only the worker Jews who were no longer wanted were beaten. If the prisoner was not given express permission, this was a death sentence as the prisoners face was marked.
Lanzmann asks Suchomel if he is alright, as he appears to be in pain. Recounting his experience pains him emotionally and physically, and the interview continues after a moment.
The SS guards were worried about the transport of Jews from the Bialystok ghetto. Upson arrival, the men threw bottles and small hand grenades at the guards.
When they were unloaded from the train they beat up and wounded with a knife or razor blade Kapo Meier. Kapo Meier was allowed to recover and live instead of being sent to the fake camp hospital, the Lazaret.
Suchomel claims he tried to make life as pleasant as possible for the Jews working in his workshops. Jews in the camp began to destroy currency that prisoners brought with them.
His Gold Jews sorted currencies, jewelry and glasses, which were all used for the war. Gold teeth were brought from Camp II, after they had been pried from the mouths of the dead.
Though rescued, the worker did not want to be saved and was shot. Upon questioning by Lanzmann about taking money himself, Suchomel insists that he didn't, that he knew the punishment and was too cowardly to risk that.
They talk again about the black market economy around the camp. Polish farmers sent their children to the fence to sell him and his workers food.
Suchomel explains that ten prostitutes were brought in for the Ukrainian guards, not for the Germans.
It was too dangerous for the Germans to go into the surrounding villages, so instead, they got frequent vacations. Lanzmann asks if the prostitutes knew that this was an extermination camp and Suchomel says that everyone, including the villagers and the Polish underground army knew.
Lanzmann asks Suchomel about the assertion that "the Jews went to their deaths like sheep to the slaughterhouse. He speculates on the causes of hatred toward Jews: years of blaming them for misfortunes, greed and envy.
He knows from his own experiences that most Polish and Czech Jews were poor. Lanzmann asks Suchomel if he feels guilt about his role in Treblinka and Suchomel replies that he is ashamed to have been there and that he feels guilty, yet he quickly adds that his court records show that individual Jews testified in his favor.
He says he couldn't stand up to the authorities because of the need to protect his family. Since he was a carrier of two state secrets he couldn't be assigned elsewhere.
By chance, he also learned of a third secret, Operation Brand, wherein the Germans euthanized those victims of bombing raids in Germany who were severely injured or became mentally ill.
Suchomel says he did not think about suicide, just survival for himself and his family, and that he will have to live with this burden for the rest of his life.
He claims that even then he saw Hitler as the biggest mass murderer in history, but couldn't say that to anyone.
He was also called the "Gold Boss. Suchomel sings it twice at Lanzmann's bidding, but is concerned that if neo-Nazis heard it, they would call him "a pig.
Suchomel says that Treblinka will always be with him, a vicious cycle from which he couldn't free himself.
Responding to Lanzmann's questions again about a revolt, Suchomel says that after the Warsaw ghetto uprising was put down, his worker Jews lost all hope of surviving because even the Jews who had worked for the Germans in the ghetto were shot.
Some of the surviving ghetto Jews who were brought to Treblinka, however, infected the camp Jews and that's how the will for a revolt began.
Discussing Christian Wirth, Suchomel calls him the most brutal man he knows. He was a skilled organizer and was head inspector for Belzec, Sobibor, Treblinka and Lublin.
He was a Jew-hater and everyone was afraid of him. Lanzmann pays Suchomel for the interview and asks Suchomel how he feels about being paid by a Jew.
Suchomel says that the money is compensation, not a reward for the interview. Lanzmann wants another interview and gives his word of honor that he will not "betray anything.
Pery Broad spent two years as a guard in Auschwitz Birkenau. Broad voluntarily wrote a report of his activities whilst working for the British as a translator in a POW camp after the war.
The Broad Report corroborates extermination installations and the burning of corpses. This interview was filmed in with a hidden camera, known as a Paluche, which caught fire.
Broad states that he can face the past, but cannot dominate it. Broad expands on this by mentioning the train cars that took Jews to the camps always left the camps empty, implying that ordinary people who witnessed these events knew what was going on.
Broad claims he cannot comprehend racial discrimination and anti-Semitism. Lanzmann wants Broad's permission to ask specific questions and to record them with a tape recorder.
Broad is visibly uncomfortable and asks that Lanzmann first ask the question without the recorder.
Broad remembers he was a boxer who was responsible for taking care of the dead bodies after executions, and physically man-handled prisoners soon to be executed.
He describes him as a "very big man," and "primitive. Broad draws an aerial view of the camp for Lanzmann, showing the crematoria, Roma section and women's camp.
It was difficult for the authorities of Auschwitz-Birkenau to identify Roma families as they went by nicknames.
He attempted to leave Auschwitz several times. He tried to leave for the front but was denied because his eye sight was bad. He went back to the main part of the camp and never returned to the Roma camp.
Broad mentions the aerial image of Auschwitz taken by Americans during the Holocaust as well as the map he drew in Both are available to the public.
Broad states that the prisoners never exhibited any violence prior to their gassing as they were too emotionally and physically tormented by that point.
He was depressed and very ill there, claiming he lost all interest in life. He was twenty-one years old. Baumert, a member of the Nazi party paramilitary.
Baumert proposed that Broad go to Stuttgart to become an SD officer. Broad refused the offer. Baumert told Broad that nobody was being killed in Auschwitz, that his friend Höss would have told him so.
Broad states that Baumert was fully aware of what was going on, but did not want to admit it. During this meeting, Baumert told Broad that he had received negative reports on Broad.
The reports regarded his perceived Bolshevik activities while a student and later at Auschwitz. However, nothing ever came of the negative reports, Broad thinks due to the level of respect his aunt had within the Nazi party.
Broad's aunt knew Hitler through her father, who was a professor in Berlin and a painter. Lanzmann asks Broad how the two transports of Czech families from the Theresienstadt camp behaved when they were led to the gas chambers in Auschwitz.
Broad talks about a story he heard during the war, in which Goebbels gave an order to release two or three prisoners from Auschwitz. Goebbels was spared from having to contradict the news as no one believed it.
Broad compares this disbelief to the behavior of the Hungarian prisoners at Auschwitz, explaining that their disbelief at their situation caused them not to react violently when let to the gas chambers.
Broad believes the prisoners could have escaped easily if of them had rushed the fence. He claims there was no barbed wire on the fences and that they were not electrified.
Two technicians monitor the video and audio transmission. The picture goes in and out. Broad speaks in English about prisoners of Auschwitz and the ability to escape corresponds to Camera Rolls You can also hear the camera crew in the van in French.
Broad talks about a story he heard of during the war, in which Goebbels gave an order to release two or three prisoners from Auschwitz.
When they told of the gassing and extermination taking place in the camp, it was so incredible that no one believed them.
He says something like "trying to tune into Perry Broad, we are interested in what he has to say. We will choose what Claude is interested in.
There is no image, we only have the rushes. He can describe the crematoria in detail because he had a friend who worked at the building administration for the camp.
Plans of the camp, including the gas chambers, were publicly available. The crematorium looked like a factory.
Lanzmann and Broad discuss the layout of the different crematoria. Broad describes an instance when a Sonderkommando said to a guard "give me one bread and I'll slaughter a hundred Jews.
Broad shows Lanzmann the sentence leveled against him in the aftermath of the Holocaust. He describes a witness at his trial who overheard a conversation Broad had with a woman who had just arrived at the camp.
When she asked if they were going to be murdered he told her not to believe the stories the inmates told.
This account proved Broad's presence at the ramp during the selection process. Lanzmann adds that the Kanada Kommando, the Jewish inmates in charge of collecting victim's belongings, said the same thing to other prisoners about to be murdered.
The minibus is parked on Eugen-Langen Str. CUs, antenna. MS, apartment complex. Another shot of the exterior of the van and antenna.
Camion Broad -- to Views of an apartment balcony from a small window inside the minibus. A man Broad?
Zoom back to see inside the back of the minibus with equipment and crew recording the hidden camera interview. Broad can seen on the two video monitors in black and white.
Zoom back to the outside through the window. This audio roll begins with a some minutes of non-interview related chatter.
Broad dismisses this idea, claiming he did not care about the names of the butchers but rather the destiny of the inmates. He witnessed unidentified SS men wearing gas masks pour Zyklon B through the roofs of the gas chambers.
He saw two or three executions in the courtyard of Block 11, which the Gestapo Grabner and his staff where responsible for.
Broad says he was lucky not to have to deal with the prisoners directly. Directly killing so many people was too much even for the SS, and so the gas chambers came into existence.
Killings in the courtyard were very different, they were not anonymous and they were deliberately horrific.
Broad fainted once from watching an execution in Block Lanzmann asks if Broad had any friends in the SS, to which he replies there is no such thing.
He had a German friend named Karl Hueges who had to join the SS to avoid being put in a concentration camp himself. He was a Communist who according to Broad hated the SS.
Yet after being imprisoned after the war in Ukraine, he became sympathetic to the Nazi regime. Broad defends his actions at Auschwitz by saying that he did not tell anyone about the activities and statements of Eisenschimmel, the Kapo of the Effektenkammer ["Kanada"], and that Dunia Wasserstrom, a survivor and witness at the Frankfurt Auschwitz trial, did not accuse him of murder.
He provides another example of a witness who said that Broad disobeyed an order to send Jews to their deaths. When Lanzmann asks him whether anyone spoke against him at the trial Broad says yes but it was proved later that they could not have known him.
Lanzmann asks Broad about the Auschwitz Hefte and Broad says he read them in prison and found them quite objective. Broad confirms that there was a brothel in the main camp and states that it was staffed with German prisoners, not Jews, because of the prohibition against race mixing Rassenschande.
He says that the brothel was used by privileged prisoners, not by the SS, "what would Himmler have said? As well as his acting career, Schubert also loved photography.
He is especially well known for his many photographs of shop windows and mannequins;  this work was on show at the documenta 6 in Kassel in In he published a book of these photographs, Theater im Schaufenster "Theatre in the Shop Window".
He died of pneumonia on 12 February in Hamburg , where he had acted for many years. This article was partly translated from the German language version of October 16, From Wikipedia, the free encyclopedia.
Categories : births deaths Deaths from pneumonia Male actors from Berlin German male comedians German male film actors Photographers from Berlin German male television actors German military personnel of World War II 20th-century German male actors 20th-century comedians.
Filmography by Job Trailers and Videos. What's New on Prime Video in June. Share this page:. Top 20 Performances of German Actors.
Adolf Hitler. The Eternal Flame - Actors. The Faces in Movies and Shows. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen?
How much of Heinz Schubert's work have you seen? User Polls NO! Known For. Erich Fink. Mother Courage and Her Children Schweizerkas.
Verräter Inspector Phelps. Viktor Bölkoff. Show all 19 episodes. Wille Wuttke.See more Produkte mit Heinz Schubert. Teil: Stachel-Charlie auf der einsamen Insel Oswald Klein. Teil: Stachel-Charlie hat nirgends Ruhe im Wald In den Warenkorbb. Namespaces Article Talk. June's Most Anticipated Streaming Titles. Srebnik walks in front of a barn, large mounds of coal. A sidewalk with only a few people walking. He drove rtl kandidaten two to three times per week, for a year and a half-basically the entire time the camp was in existence. The group takes a heinz schubert to eat and sarah ulrich languages and French literature. When Merkers dsds asks if he click Belzec, Oberhauser becomes quiet. A few people are click the following article on the sidewalk. Rows of houses on tree-lined streets in article source. From August Schubert worked as a civilian employee for the Reichsstatthalter of Bremen and Oldenburgheadquartered in Bremen. A woman had written a letter more info her relatives, telling them that she was in Belzec. Heinz Schubert, Actor: Der große Bellheim. Heinz Schubert was born on November 12, in Berlin, Germany. He is known for his work on Der große. Heinz Schubert war "Alfred Tetzlaff" in Wolfgang Menges 70er-Jahre-Serie "Ein Herz und eine Seele" und verkörperte damit eine der Kult-Fernsehfiguren. Heinz Schubert wurde am November geboren und starb am Februar mit 73 Jahren. Weitere prominente Geburtstage hier auf. heinz schubert grab.