Die Besten Action Filme 2014 Martial Arts
Guardians of the Galaxy. US . X-Men: Zukunft ist Vergangenheit. US . The Raid 2. ID . Edge of Tomorrow. The Lego Movie.
Die besten Actionfilme für Actionfilm-Fans. Diese Streifen sind ein Muss! Entdecke die besten Actionfilme in unserem Top-Ranking! The Raid 2 (ID ). Planet der Affen: Revolution. Das sind aus unserer Sicht die besten Actionfilme, die Amazon Prime nach dem anderen" () in Hollywood mit Actionstar Liam Neeson. Musical Backing up click extraordinary spectacle was a mash-up of lofty ideas cribbed from William Gibson and Jean Baudrillard: The Https://kristinehamnsskytte.se/serien-stream-bs/suicid-squad-trailer.php felt like it continue reading a brain as well as balls. Retrieved July 5, Read Empire's Casino Royale review. Retrieved December 6, wars yoda star Thriller Im Stream. Retrieved September 30,
The trade paper said the film was similar to Oblivion , a science fiction film that also starred Tom Cruise, and that like Oblivion , it would likely perform better outside North America.
That may come to pass, but these reports downplay the centrality of foreign markets in today's globalized movie industry. Edge of Tomorrow initiated its theatrical run in several territories on May 28 , , and rolled out to a total of 28 territories for its opening weekend of May 30 — June 1 , The cast and the crew mimicked the film's time loop premise by attending the premieres in a single day, traveling westward to attend them on a staggered schedule.
Edge of Tomorrow competed against Maleficent starring Angelina Jolie , which opened the same weekend in 46 territories.
The film was now showing in 63 countries and 19, screens. Edge of Tomorrow was released in 3, theaters in North America on June 6 , Pictures, indicated risky investments by the studio, which had better success earlier in the year with franchise films The Lego Movie and Godzilla With approximately 5.
China, Russia, and South Korea, respectively, had the film's largest weekend grosses among the territories.
The Blu-ray includes over 90 minutes of bonus features. Posters for the film's theatrical release had similarly placed a larger emphasis on the "Live.
Edge of Tomorrow received largely positive reviews from critics,  who praised the humor, Liman's direction, the aliens' design, Cruise and Blunt's performances, and the time-loop premise's ability to remain fresh.
However, some critics had issues with the film's conclusion. The website's critical consensus reads: "Gripping, well-acted, funny, and clever, Edge of Tomorrow offers entertaining proof that Tom Cruise is still more than capable of shouldering the weight of a blockbuster action thriller.
Justin Chang of Variety called Edge of Tomorrow "a cleverly crafted and propulsively executed sci-fi thriller", saying that the film was director Doug Liman's best since The Bourne Identity Chang said that the screenwriters, with the assistance of the editors, "tell their story in a breezy narrative shorthand and at times, sleight-of-hand , transforming what must surely be an unbelievably tedious gauntlet for our hero into a deft, playful and continually involving viewing experience".
Regarding the relationship between Cruise and Blunt's characters, Chang said "Liman handles it with a pleasing lightness of touch that extends to the proceedings as a whole.
Todd McCarthy, writing for The Hollywood Reporter , said the film was "a narratively ambitious sci-fi actioner" that "takes a relatively playful attitude toward the familiar battle tropes".
McCarthy said that, despite the humor, he found the time loop premise "tedious" and that "the final stretch becomes dramatically unconvincing and visually murky".
However, he also called the effects "exciting, convincing and gritty" and applauded Gleeson and Paxton in their supporting roles.
Edge of Tomorrow was listed on 23 critics' top ten lists of movies of out of evaluated. Blunt said of her role, "In these male-fueled genres, it's usually the woman who's holding the hand of the guy and he's running through explosions leading her, and I wanted to be doing the leading.
Robinson acknowledged that Rita existed to support Cage in his trials, but believed that "the story doesn't degrade, devalue, weaken, or dismiss her".
In contrast, The Wire ' s Esther Zuckerman criticized the inclusion of a romantic relationship in the film, and said of the two characters' kiss: "There's a case to be made that the kiss is simply an acceptance of their fate, but everything we know about Rita up until this point implies that she's a dedicated soldier, and making her a sudden romantic betrays her character.
Bartyzel said that Rita's portrayal was part of a commonly seen motif in which a female character helps a male "Chosen One" character, and that this was "the new normal because it allows Hollywood to appeal to feminist concerns while continuing to feed male wish fulfillment".
Bartyzel said that Rita "at her most powerful" ultimately serves "to make the male hero into a fighter like herself". Liman said that the film's repeated scenes intentionally paralleled the respawning feature in video games, where players have to start over on a level if their character dies.
Leas called Edge of Tomorrow ' s looped action "a meta-commentary on the blockbuster genre", saying: "It's a blockbuster interested in the question of how mind-numbing its genre has become to its viewers.
In a December interview with Collider , McQuarrie said that Cruise had an idea for a sequel, and that the concept is "locked and loaded.
From Wikipedia, the free encyclopedia. Redirected from Edge of Tomorrow film. For other uses, see The Edge of Tomorrow.
Theatrical release poster. Tom Cruise left and Emily Blunt right , who play the lead roles in the film.
Christophe Beck. I think the word 'kill' in a title is very tricky in today's world. I don't know that people want to be bombarded with that word.
I don't know that people want to be opening the newspaper and seeing that word. We see it enough in kind of real newspaper headlines, and I don't think we need to see it when we're looking at a movie.
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PG 97 min Action, Adventure, Family. A vengeful fairy is driven to curse an infant princess, only to discover that the child may be the one person who can restore peace to their troubled land.
R min Crime, Drama, Thriller. Literature professor and gambler Jim Bennett's debt causes him to borrow money from his mother and a loan shark.
Further complicating his situation, is his relationship with one of his students. Will Bennett risk his life for a second chance?
R min Action, Adventure, Comedy. A spy organisation recruits a promising street kid into the agency's training program, while a global threat emerges from a twisted tech genius.
Jackson , Michael Caine. As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.
D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier. Jackson , Scarlett Johansson , Robert Redford.
The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.
R min Adventure, Comedy, Drama. A head chef quits his restaurant job and buys a food truck in an effort to reclaim his creative promise, while piecing back together his estranged family.
R min Comedy, Drama. A washed-up superhero actor attempts to revive his fading career by writing, directing, and starring in a Broadway production.
Director: Alejandro G. When Louis Bloom, a con man desperate for work, muscles into the world of L.
PG min Biography, Drama, Thriller. R 89 min Action, Sci-Fi, Thriller. A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
PG min Action, Adventure, Thriller. Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
PG min Drama, Romance. Two teenage cancer patients begin a life-affirming journey to visit a reclusive author in Amsterdam.
Katniss Everdeen is in District 13 after she shatters the games forever. Under the leadership of President Coin and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta and a nation moved by her courage.
R min Comedy, Drama, Horror. A brash and arrogant podcaster gets more than he bargained for when he travels to Canada to interview a mysterious recluse Not Rated min Comedy, Drama, Fantasy.
An alien on Earth loses the only device he can use to communicate with his spaceship. His innocent nature and child-like questions force the country to evaluate the impact of religion on its people.
R min Action, Biography, Drama. Navy S. Back home with his family after four tours of duty, however, Chris finds that it is the war he can't leave behind.
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R 97 min Action, Adventure, Drama. For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time.
The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
PG min Animation, Action, Adventure. The special bond that develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.
PG min Comedy, Romance. After a bad blind date, a man and woman find themselves stuck together at a resort for families, where their attraction grows as their respective kids benefit from the burgeoning relationship.
R min Horror, Mystery, Thriller. A young woman is followed by an unknown supernatural force after a sexual encounter. When New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.
R min Comedy, Romance. Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another When it comes to love, life and making the right choices, these two are their own worst enemies.
R min Drama. A recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.
R min Action, Drama. Greek general Themistokles leads the charge against invading Persian forces led by mortal-turned-god Xerxes and Artemisia, vengeful commander of the Persian navy.
The thesis is that the Bunch are men out of time, left behind as the march of progress leaves them obsolete in the developing American West.
Read Empire's The Wild Bunch review. The biggest hit of the three, it also established Paul Greengrass as arguably the premier thriller director currently plying his trade.
Read Empire's The Bourne Ultimatum review. Adding 37 percent more slow-mo to the decade, John Woo exploded out of Hong Kong action cinema and into the international spotlight with a run of badass crime flicks in which Chow Yun-Fat wasted ruthless gangsters in big jackets and there would often be doves.
Following A Better Tomorrow , Woo's pioneering use of gun-fu, a lucky charm in Yun-Fat and those doves all came together in the blazing church-set crescendo to this attention-grabbing maelstrom of Triad carnage.
Nestled amid the awesome pyrotechnics are ageless themes of honour and redemption worthy of Woo's main influences, Martin Scorsese and Jean-Pierre Melville.
Read Empire's The Killer review. Kirk Douglas was born in Mead is quaffed, buxom wenches are goosed, and the tone is Read Empire's The Vikings review.
The first of six seven if you include Once A Cop , but still the best of them: an exuberant outing for Jackie Chan at the height of his diminutive ass-kicking powers.
But it all gets rather complicated by the fact that she has her own agenda. It all ends up with a massive rumble in a shopping mall.
Pure slapstick action-comedy excellence. Read Empire's Police Story review. Of course, most stars of the silent era performed their own stunts, from the Keystone films of Mack Sennet, to Charlie Chaplin and, best of all, Buster Keaton.
But arguably the most famous image of the lot is Harold Lloyd hanging off a clock face at the climax to Safety Last. The long-shots of Lloyd climbing the building actually are of a double, but the mid-shots and close-ups are all Lloyd, as are the clock-dangle and all the dicking about on the top of the building — and it is genuinely the top of a building and not a studio mock-up.
No strings attached, and he only had three fingers on his right hand. Still vertiginously, viscerally thrilling, in a way CG could never achieve.
Read Empire's Safety Last review. But John Wick was an instant classic nonetheless, kicking of a series that continues to gain momentum. Read Empire's John Wick review.
Glossy Michael Bay action from the days when that meant something other than Transformers. Nic Cage is the younger suit sent to chaperone him.
Read Empire's The Rock review. The third James Bond movie and perhaps the quintessential one. For better or worse…. Read Empire's Goldfinger review.
It's no exaggeration to say that there are few joys greater in life than Buster Keaton 's The General.
Alongside possibly Sherlock Jr. First released in , it was initially greeted with indifference by moviegoers and a chorus of disdain from critics.
The Civil War adventure left Keaton physically bruised and financially battered, with that old loco left down a gorge and Old Stone Face shackled to MGM and creatively stymied.
Since then, though, The General has gained the richly deserved status of silent masterpiece. If you don't know the story, suffice to say that Keaton is a railwayman stuck between two warring armies, with his beloved gal Marion Mack to defend and his treasured train to rescue.
Things don't run smoothly. Read Empire's The General review. So much more than a high-concept action movie about a cyborg policeman, RoboCop is also a savage satire and a religious parable, with its structural narrative nicked from folk mythology.
The deeper you go into it, the more you find. But it works as a shoot 'em up too. Its gonzo violence perhaps functions so well because it's from an outsider's skewed perspective: Dutch director Paul Verhoeven , here only making his second English-language film.
The sequels and remake increasingly missed the point. Verhoeven's later Starship Troopers is RoboCop 's real spiritual successor.
Read Empire's RoboCop review. Jason Statham already had an action franchise in the Transporter films, but Crank was the one that really cemented him as the Stath we know and love today.
Hence car chases through shopping malls, impromptu sex, copious fights Statham is the granite centre of the madness: almost Buster Keaton-like in his stoic single note of constant simmering annoyance.
Read Empire's Crank review. It remains an extraordinary film, for its violence, its insane performance from Gary Oldman as villain Stansfield, and for the queasy pseudo-romance at its centre between Leon and stray waif Mathilda the then year-old Natalie Portman.
Read Empire's Leon review. Many explosions, machine-gunnings and knifings later, Arnold is, of course, unscratched. What times we live in.
Read Empire's Commando feature. Seemingly from out of nowhere came the sudden arrival of one of the most blistering action films of the 21st century to date: a ferocious curio stemming from Indonesia but written and directed by Welshman Gareth Evans.
Lots of guns. They have to fight their way to the top of a tower block and back out again. The Raid 2 — a massive and unexpected expansion, keeping the extreme violence but adding a level of Once Upon A Time In Indonesia -style epic drama — followed two years later.
The third in the projected trilogy has been promised but has yet to materialise. Read Empire's The Raid review.
Two trucks. Four men. Enough nitroglycerine to blow up South America. These are heady ingredients for any thriller, but the genius of Henri George Clouzot's downbeat stunner lies in its murky, masterful characterisation.
He invests the first half in developing his quartet of desperate men, each willing to risk it all for a stack of oil company greenbacks, so that by the second, a nerve-ripping ride up mountain passes and through tortuous jungles, we're right there in the cab with them.
The first trilogy had petered out with the almost straight-to-video Tokyo Drift. Fast Five reimagines the brand as a ridiculously high-octane Italian Job -style crime caper — climaxing with a vault robbery in which massive safes are dragged round busy streets by Dodge Chargers, causing maximum destruction.
And of course, this was the first of the Fasts to drop The Rock on proceedings. Which is always an excellent idea. Read Empire's Fast Five review.
Read Empire's Casino Royale review. John Woo 's later work might have tailed off somewhat see Mission: Impossible II — or, if you prefer, don't , but his super-stylish Hong Kong period remains virtually untouchable, and Hard Boiled is the best of the lot.
Even if it does sacrifice emotional development in Chow Yun-Fat's kick-ass cop Tequila on the altar of gun porn, it remains a guns-a-blazing, walls-exploding, tea-room-destroying, hospital-devastating triumph, and a must-have for every action fan.
It's so influential that it took Woo global and slung Chow into the big time, all whilst carrying a shotgun in one hand and a surprisingly large baby in the other.
Read Empire's Hard Boiled review. Read Empire's The Driver review. The remake dutifully piled on the action but missed that aspect entirely.
Read Empire's Point Break review. Rambo was forced into the role of one-man-army superhero for the daft sequels, so it's refreshing to revisit First Blood and find a thrilling pulp drama about a PTS sufferer driven over the edge by bullying small-town petty-mindedness.
Sylvester Stallone is a decent actor when given the opportunity, and John Rambo in this film, crucially, is almost believable: the crunchy action kept under tight control by director Ted Kotcheff.
It's a decent adaptation of David Morrell's page-turning novel too, although Brian Dennehy 's Sheriff Teasle gets shorter shrift, and the devastating ending is changed so that Rambo lives.
Read Empire's First Blood review. Almost unbelievably this is a studio movie: Warner Bros. This is filmmaking as myth, legend, campfire tale.
Strange how the biggest action hero of the decade earned that accolade by playing one of that same decade's biggest villains.
Even stranger when you consider said action hero wasn't even physically suitable for the part, as originally envisioned by James Cameron.
After all, the T cyborg was supposed to blend in, be a hidden assassin, look Not, for example, like a hulking Austrian bodybuilder last seen hacking people up with a broadsword in Conan The Barbarian.
Still, The Terminator hit huge and gave us two '80s icons in one: the larger-than-life Arnold Schwarzenegger , with his catchphrase, his rippling muscles and his extensive, explosive ordnance.
And the steely-grinned, red-eyed nightmare from the future, which until the firey final act lurked beneath that sculpted physique.
Read Empire's The Terminator review. Christopher Nolan 's special genius lies in building his comic book films around a theme and making them stronger for that.
This time, it's about the fine balance in our lives between control and chaos. Read Empire's The Dark Knight review. Backing up the extraordinary spectacle was a mash-up of lofty ideas cribbed from William Gibson and Jean Baudrillard: The Matrix felt like it had a brain as well as balls.
And the casting was also note perfect, transforming the public perception of Keanu Reeves overnight from dim-bulb stoner to deadpan killing machine a role he continues to enjoy in the likes of Man Of Tai-Chi and John Wick.
Imitated to the point of audience fatigue by subsequent films including its own sequels , it still seems fresh almost 20 years on.
Read Empire's The Matrix review. John McTiernan 's second feature is proof that the unremarkably generic can be elevated to ridiculous greatness by the right director and cast.
It's full of iconic moments like the Ol' Painless jungle destruction and the final one-man-army mud fight. And Arnold was, arguably, never better.
Read Empire's Predator review. The perfect fusion of action and character, East and West, blockbuster and arthouse, Akira Kurosawa 's first entry into the samurai genre is one of the great masterpieces in any language.
The great director creates distinct, memorable characters out of seven luckless samurai hired to defend a poor farming village from marauding bandits, showcasing his heroes as rounded but dignified outcasts - Takashi Shimura 's noble leader and Toshiro Mifune 's crazed hothead are the standouts.
All human life is here, as are debatably cinema's greatest battle scenes: the climactic showdown in the rain is the stuff of cinematic legend.
Read Empire's Seven Samurai review. Nazis, the Staff of Ra and a boulder the size of a small house were the order of the day for Harrison Ford in his first Indy outing.
An archaeologist protagonist proteologist? Lesser prequels and sequels followed, but [Raiders] cemented Ford as a Hollywood heavyweight.
Namhafte Darsteller, gehobene Production Values und eine wendungsreiche Story Er muss es mit seinem Vater, dem kriminellen Zauberer Fu Manchu, aufnehmen.
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